For British Art Fair 2026, The Hyde Gallery presents From Material to Digital - and Back, an exploration of how we experience beauty in an increasingly digital world.

At the centre of the stand sits Gillian Brett’s Life online collection. Small figures, cast in cold-cast bronze, sit absorbed in their screens - looking down, scrolling, connected digitally yet seemingly disconnected from the physical world around them. Brett uses traditional sculptural processes to address one of the most contemporary aspects of human behaviour.

Around them, the walls offer everything the figures fail to notice.

David Cottingham’s dancers celebrate the energy and movement of the human body, while his abstract landscapes explore atmosphere and a sense of place. Celia Wilkinson transforms landscape through expressive colour and mark-making, inviting us to experience rather than simply observe the natural world.

Aleksandra Suvorova, the Baroque Anarchist, draws on the visual richness and techniques of the Old Masters. Her dramatic floral works explore beauty, mortality, memory and transformation.

Anna Oborotova turns our attention back to the human face and emotional presence, while Deborah Jones brings the natural world into focus through her powerful animal imagery.

The juxtaposition is deliberate: cold-cast bronze and the digital screen; stillness and movement; looking down and looking outward.

At the centre, Brett's figures stare into their screens. Around them is colour, movement, landscape, nature and human expression - a world of beauty they no longer notice.

From Material to Digital – and Back asks a simple question: in a world where we are constantly looking at our screens, what are we failing to see?